In 1985, I was a 28-year-old TV producer working on a $12 million NBC miniseries in Mexico City starring Burt Lancaster—when the earthquake hit. Buildings collapsed. Thousands were killed. Overnight, our film set became a rescue zone.

That experience haunted me for decades. Now it’s become FAULT LINES—a thriller about an American filmmaker and a cartel heiress caught between love and survival when the ground literally gives way beneath them.

“She has the documents. They have the guns.”

This is a Graham Greene kind of story—ordinary people facing impossible choices in a place where power, corruption, and catastrophe collide

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